Home Entertainment The Perils of Artificial Intelligence in the Eyes of Justin Simien and Gareth Edwards

The Perils of Artificial Intelligence in the Eyes of Justin Simien and Gareth Edwards

Artificial Intelligence (AI) has emerged as a significant threat to the artistic and writing communities. Programs like Midjourney and ChatGPT are constantly improving, tempting companies to replace human creators with cost-effective AI systems. This threat is most evident in Hollywood, where the ongoing SAG-AFTRA and WGA strikes are taking place. Writers and actors, seeking better pay and job security, are fighting for contractual language that safeguards their positions against AI. During the recent Directors on Directing panel, hosted by Collider Editor-in-Chief Steve Weintraub, directors Justin Simien and Gareth Edwards highlighted the importance of the battle against AI for the future of the industry and the preservation of art. Edwards, whose upcoming film “The Creator” explores the conflict between humanity and AI, kicked off the discussion with a playful remark about Simien’s Disney film, “Haunted Mansion.” Simien humorously responded, highlighting that AI was invented in the 1800s, the era ghosts are associated with. Moving to more serious matters, Simien recognizes the dual nature of AI as both a valuable tool and a potential disruptor of artistic creation. He emphasizes the need for established guidelines that protect individual artists. Though the Director’s Guild has succeeded in incorporating some protective measures into their recent agreement, Simien believes further steps are necessary to safeguard art from AI misuse. He expresses concerns about studios’ willingness to embrace AI and their resistance to forgo its usage in the future, as seen during the WGA strike. Actors also fear the possibility of AI-generated performances that could eliminate numerous job opportunities. The industry is already witnessing AI’s influence, as exemplified in the “Marvel’s Secret Invasion” opening credits sequence, generated by AI but lacking the creativity and authenticity of human input. Simien captures the prevalent unease within the industry, where companies seem eager to replace human artists with machines and strip art of its human essence. Protecting artists whose work is incorporated into AI models is crucial, as is preserving the captivating and unique storytelling that only humans can provide. While the DGA has secured its deal, Edwards, Simien, and Louis Leterrier emphasize their support for the picketing colleagues in the WGA and SAG-AFTRA strikes. It is clear that these directors stand in solidarity with writers and actors, advocating for fair treatment and fair deals. As the panel concluded, the directors expressed their contractual obligation to promote their films, encouraging viewers to stay tuned to Collider for more highlights from the Directors on Directing panel featuring Edwards, Simien, and Leterrier.

 

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