Home Entertainment Last Suspect movie review: ludicrous Chinese legal thriller directed by Zhang Yimou’s daughter is latest in a wave of such films set in unnamed Southeast Asian hellholes

Last Suspect movie review: ludicrous Chinese legal thriller directed by Zhang Yimou’s daughter is latest in a wave of such films set in unnamed Southeast Asian hellholes

1/5 stars

A high-flying defence lawyer is coerced into helping a convicted murderer escape the death penalty in Last Suspect, a ludicrous legal thriller directed by Zhang Mo, the daughter of celebrated veteran filmmaker Zhang Yimou.
After her daughter is kidnapped, crack lawyer Vicky Chen (Zhang Xiaofei, Hi, Mom) is given five days to exonerate Hong Junjia’s snivelling convict if she ever hopes to see the child again.

Partnering with her best friend Kim (Lee Hong-chi), a suspended police officer with a serious drinking problem, Chen reopens the grisly murder case, in which a beautiful young artist (Bao Shangen) was raped and stabbed in a frenzied attack at her home.

Last Suspect is the latest in an enthusiastic wave of mid-tier offerings emerging from mainland China that are set in unnamed Chinese-speaking hellholes across Southeast Asia teeming with corruption and unchecked criminality.

Recent blockbusters such as No More Bets have whipped up a torrent of xenophobic hysteria, as well as impressive box office numbers, with tall tales of peril and lawlessness set conveniently just beyond China’s borders – even though criminals are still held to account under Chinese legal standards.
Lee Hong-chi as Kim in a still from “Last Suspect”.

Zhang Yimou’s latest film, Under the Light, also set its story of rampant criminal activity among officials and the super-rich in a deliberately non-specific locale.

With five credited writers, Last Suspect unravels as a breathless, vaguely coherent barrage of twists and turns that draws in and spits out characters with feverish disregard for anyone attempting to follow along.

Wang Ziyi’s scarf-sporting mystery man quickly rises to the top of Chen’s suspect list, while Kara Wai Ying-hung, as the victim’s mother, vows to see her killer brought to justice, whoever they are revealed to be.

Kara Wai as the murder victim’s mother in a still from “Last Suspect”.

The script spews some half-baked philosophising about the sacred bond between mothers and daughters, but there is little on screen that supports the theory.

Instead, this lazily penned potboiler stumbles its way through a parade of procedural clichés with a blatant disregard for logic, legal standards or even plausible human behaviour.

Before making her directorial debut with 2015’s romantic fantasy Suddenly Seventeen, Zhang cut her teeth co-editing her father’s sweeping period epics Under the Hawthorn Tree and Coming Home. They also shared credit on last year’s Korean war drama Sniper.

Hong Junjia in a still from “Last Suspect”.

Unfortunately, it appears that little of Zhang senior’s mastery of the craft has rubbed off on his daughter. While Last Suspect admittedly delivers a polished and pacy package in line with current – albeit questionable – market trends, it remains too rambling, ridiculous and wretchedly reductive to let anyone involved off the hook.

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