Home Entertainment Elegies movie review: Ann Hui documentary is a dual portrait of Hong Kong poets Huang Canran and Liu Waitong – and a subtle lament for the city they once called home

Elegies movie review: Ann Hui documentary is a dual portrait of Hong Kong poets Huang Canran and Liu Waitong – and a subtle lament for the city they once called home

3.5/5 stars

In a match made in literary heaven, Ann Hui On-wah – one of Hong Kong cinema’s most intellectual filmmakers – is the director behind Elegies, a feature-length documentary about the city’s contemporary poetry scene, the art of writing, its financial pressure and the Hong Kong that has been described in poems.

Who else has the professional pedigree and charisma to sit down with poets and turn that interview footage into a film that has not only become one of the cultural events of the year, but sold out its festival screenings and secured a commercial cinema release?

Hui’s passion project opens with a prologue comprised of interview snippets with several of Hong Kong’s most senior poets. The main attraction here is likely the late author and poet Xi Xi, shown reciting her poem about the former Kai Tak Airport – and setting the tone for the occasionally mournful film.

Elegies then trains its focus on Huang Canran, who self-deprecatingly labels his move to Shenzhen “economic exile” – he just found Hong Kong too expensive. A chain-smoker in a pair of patched-up jeans, the proud starving artist is as ready to dismiss his revered career as a translator as he is to talk up his life’s goal of creating poetry.

Far more pragmatic is self-proclaimed “anarchist” Liu Waitong, who packs his schedule with “side gigs” outside his university teaching job in Taiwan. While Hui indulges us with excerpts from Liu’s lectures on poetry, it is their reminiscence about his photojournalist days – including a brush with activism during the demonstrations over demolishing Queen’s Pier in Central in 2006 – that most intrigues.

Author and poet Xi Xi in a still from “Elegies”.

For viewers unfamiliar with the Hong Kong literary scene, Elegies may come across as an opaque and borderline esoteric introduction to it. Hui gives only a brief overview before diving headlong into conversations with her two highlighted poets on matters both personal and highly technical.

Hui’s concern for her home city is, at times, more pronounced by comparison. Apart from obliquely bringing up Hong Kong’s “situation” in the interviews, the poems she has chosen to visualise – beautifully nostalgic montages of street scenes – are all essentially about Hong Kong.

It says much about Hui’s view that both “Hong Kong poets” she features have left the city in the past decade. A quote from young poet Huang Runyu late in the documentary, where she recalls the emotional impact that poetry has on her “friend inside” prison, gives a lucid snapshot of the historical moment that the city is going through.

Director Ann Hui (left) and poet Huang Canran in a still from “Elegies”.

In that sense, Hui’s film is as much an elegy for Huang and Liu’s personal pasts in Hong Kong as it is for a city that has since become unrecognisable even for some of its most intimate observers.

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