Black Mirror is arguably the most culturally relevant science fiction show of recent memory. Its uncompromisingly bleak storytelling deals with issues such as social media radicalization, mental illness, political violence, corporate oppression, and biological warfare. In many ways, it is this generation’s version of Twilight Zone, exploring the dark side of technology and its reflection on human ambition.
“Rachel, Jack, and Ashley Too” may be one of its best episodes, touching on the pressures of pop culture stardom and the commodification of the artist’s image. Black Mirror’s strongest episodes are those that feel like they are just a few years removed from becoming actual headlines. For example, the show predicted a literal puppet being elected before the rise of President Donald Trump and the emergence of CGI deep fakes before it became a technological reality.
Despite its relevance, “Rachel, Jack, and Ashley Too” is often considered the black sheep of the series, likely because it challenges viewers to reflect on uncomfortable truths they may not want to confront. The episode explores what audiences demand from their favorite artists, and whether they see them solely as providers of content or as flesh-and-blood human beings with their own unique identities and struggles. It’s a commentary on the hyper-sexualization of pop stars and the toxic fandom culture that often accompanies them.
As streaming services continue to dominate the entertainment industry, Black Mirror’s message becomes even more relevant. The success of shows like The Idol, which prioritizes sensationalism over substance, highlights how audiences are more interested in consuming the version of an artist that has been marketed to them rather than who they truly are.
In “Rachel, Jack, and Ashley Too,” the character of Ashley O (played brilliantly by Miley Cyrus) rebels against the forces that seek to control her image and identity. Her refusal to compromise is inspiring, especially at a time when talented filmmakers are being forced to make changes to their vision to satisfy streaming parameters. In many ways, Black Mirror is a call to action, urging viewers to reflect on the impact of technology on the human experience and how we can take back control.
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Khushi Patel is a science fiction author who lives in Austin, Texas. She has published three novels, and her work has been praised for its originality and imagination. Khushi is a graduate of Rice University, and she has worked as a software engineer. She is a member of the Science Fiction Writers of America, and her books have been nominated for several awards.
