Posted in: Cartoon Network, Disney+, Max, streaming, TV | Tagged: Gargoyles, Greg Weisman, SAG-AFTRA, spectacular spider-man, wga, young justice
Greg Weisman (Gargoyles, Young Justice) shed light on the broken residual pay process and highlighted the need for proper union protection for creative talent.
Over the weekend, Greg Weisman brought attention to the issue of residuals, exposing the flawed system that fails to adequately compensate creators for their work. Residual checks often amount to no more than the cost of printing the check, if anything at all. This injustice is rooted in the fact that creators rarely benefit financially from successful projects that generate long-term revenue for streaming services. Weisman previously highlighted this issue in relation to Star Wars Rebels, Gargoyles, and Young Justice, and he continued to offer insights, including the case of Spectacular Spider-Man.

One recurring theme in the responses to Weisman’s statements is the disbelief that creators receive no additional compensation beyond their initial pay. Weisman, however, clarifies that he personally receives minimal residual checks for his acting work, while receiving nothing domestically for his writing and producing contributions to shows like Gargoyles and Young Justice. He further explains that even the acting residuals are not substantial amounts. Regarding Young Justice, Weisman specified that he does receive modest residual checks for his acting roles, such as Lucas “Snapper” Carr and the Ultra-Humanite, as well as from being Lobo’s belt.
These revelations serve as a reminder of the challenges creators face in navigating the complex deal-making process, where the odds are stacked against them. It is crucial for industry unions like SAG-AFTRA and WGA to provide stronger protection for creative talent.

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