The Big Picture Rebuilding the iconic Continental in the John Wick prequel series was an immense endeavor that required constructing a set that stood 40 feet tall and spanned two NFL football fields in size. Due to restrictions on using the actual Beaver Building, the team had to get inventive in depicting the hotel’s exterior. The result was a grand and menacing design, adorned with sculptures and eagles. The Continental: From the World of John Wick transports viewers back in time to a trash-filled 1970s New York City during a sanitation strike, exploring the hotel’s past and its colorful characters. This new series features a fresh cast including Colin Woodell and Mel Gibson. In the world of John Wick, few locales are as recognizable and memorable as The Continental of New York. Not only is it a sanctuary for high-profile criminals, but it also boasts an imposing architectural presence, with the landmark Beaver Building serving as the backdrop for exterior shots of the hotel. However, recreating the hotel’s exterior for the prequel series The Continental: From the World of John Wick posed a significant challenge. Production designer Drew Boughton discussed the difficulties of building the hotel’s exterior set during an interview with Collider’s Perri Nemiroff at San Diego Comic-Con. Boughton revealed that constructing the exterior of The Continental was the most extensive endeavor, with the set standing at an impressive 40 feet tall and occupying a footprint equivalent to two NFL football fields. This massive structure required meticulous construction. The main obstacle faced by the production team was the unavailability of the building in New York used in the films. Despite this setback, Boughton saw an opportunity for creative innovation. Not only did the team need to distinguish the show’s Continental from the actual Beaver Building, but they also wanted to infuse the hotel with a unique artistic style. The show’s key art reflects this vision, showcasing a flatiron design similar to that of the Beaver Building while adding a more grandiose touch to the facade. Boughton explained how maintaining the franchise’s commitment to art and style influenced their set design choices. By modifying the exterior of the building, they were able to incorporate sculptures and other artistic elements, such as the iconic eagles, giving the structure a menacing yet artistic texture. The eagles became a prominent feature of the building, even extending to the back due to their compelling design. The attention to detail and creativity demonstrated by Boughton impressed director Albert Hughes, who praised his ability to enhance sets with small, character-defining details. The Continental takes place in a trash-filled New York City during the 1970s sanitation strike, and follows a young Winston Scott as he navigates the treacherous criminal underworld of the hotel. Viewers can expect a thrilling journey that combines action with moments of levity, as the series delves into the history of this iconic hotel. As the show is set long before the events of the original films, a new cast will portray beloved characters. Colin Woodell will portray Winston, while Ayomide Adegun joins as Charon. The cast also includes Mel Gibson as crime kingpin Cormac, alongside Peter Green, Ben Robson, Hubert Point-Du Jour, Jessica Allain, Mishel Prada, and Nhung Kate. Greg Coolidge and Kirk Ward helm the series. The Continental: From the World of John Wick premieres on September 22, with subsequent parts airing on September 29 and October 6. Don’t miss out on the opportunity to check in to this enthralling prequel series.
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Khushi Patel is a science fiction author who lives in Austin, Texas. She has published three novels, and her work has been praised for its originality and imagination. Khushi is a graduate of Rice University, and she has worked as a software engineer. She is a member of the Science Fiction Writers of America, and her books have been nominated for several awards.
